Director – Charlotte Targett

Producer – Tom Kinnear

Scriptwriter – Chris Boggiano

Cinematographer – Matthew Jennings

Editor – Rob Donald

Sound Designer – Luke Barclay

 Whilst walking into a car park a man called Shaun is kidnapped. Shaun then wakes to find himself tied to a chair in a room with the kidnapper. The kidnapper explains that he is going to torture Shaun due to people being superficial and only caring about appearances. It is then revealed that the kidnapper is someone Shaun knowns and that he is responsible for is deformities meaning his revenge to give him a similar cut.

 This was my first role at university which I assumed the role of sound designer. Within this film I was responsible for recording all the onset audio to be used in the film with a boom mic and poll. Once completed I edited the sound using Avid pro tools. For the soundtrack of the film, I utilised horror music as well as other non-diegetic audio in order to give the film a horror atmosphere.

Editor – Luke Barclay

 This is my editing module work in second year which consisted of a re-edit of the dinner scene from the film Wilderness and an individual experimental film project.

 The editing of the wilderness scene consisted of match cuts between certain shots within the scene, making sure the continuity of the edit matched from shot to shot. The right emotions needed to be showcased as well using takes from the actors that fitted within the atmosphere of the film. The colour grading of the scene was naturalistic matching the established colours already showcased. Within the film.

The experimental film did not have to rely on continuity and was cut purely for emotion using stock footage that created the film. A calmness in the first half of the film with imagery of vehicles and animals is juxtaposed by the latter half of the film with imagery of warfare showcasing both the good and the bad in the world.

Writer and Director – Abraham Avice

Editor – Luke Barclay

Illustrator and Animator – Jennifer Escudero

Visual Effects – Joshua Dalby

Music – Jules Carayon

Costume Design – Bartholomew Chapo

Producer – Souleymane Advice

 A character known as the ‘Lightseer’ encounters a monolith out at sea and after this experience meets a strange person to learn more about it.

 The editing for lightseer consisted of minimalistic editing. Long take shots were used throughout the film in order to give a hypnotic feeling of being down into the world of the film, this minimal style also complements the slow pace of the narrative. The only faced paced moments occurs during a segment were the Lightseer must hide from another character utilising fast paced editing. The colour grade of the film is dark and bleak utilising a minimalistic colour palate. This is in order to complement the dark brooding world the film creates as well as ground the viewer within a sense of relating throughout the film.